Radio Muezzin
Radio Muezzin by Rimini Protokoll springs out from the fact that the prayer calls over Cairo, the city of the thousand mosques, are mixed into a multi-faceted landscape of sound. But this is about to change. The government wants one centre muezzin broadcasted at the same time to all national mosques. Will thousands of Egyptian muezzins be brought to silence?
Information
(Objekt ID 6578)Object type | Production |
Premiere | 2008 |
Produced by | , Hebbel am Ufer, Rimini Protokoll |
Coproducers | , , Steirischer Herbst, , The Avignon Festival |
In collaboration with | |
Based on | Radio Muezzin by Stefan Kaegi |
Audience | Adults |
Language | Arabic |
Subtitles | English |
Keywords | Biographical theatre, Storytelling theatre, Music |
Running period | 2008 |
Website | Rimini Protokoll |
Requirements to venue
Blackout | No |
In Radio Muezzin by Rimini Protokoll we meet four of the prayer callers about to be made redundant and an engineer able to code radio signals. Onstage a mosque is made of carpets and fans and all five prayer callers are made into main characters in the reconstruction of their lives. Between the words they convey and the video images from their daily lives new voices rise, voices describing the transformation of the prayer calls in the age of technical reproduction. The main characters are individual representatives of a religious culture which, despite its many faces, often is reduced to simple images of the enemy in the Western world.
Rimini Protokoll was established in 2000 by Helgard Haug, Stefan Kaegi and Daniel Wetzel. They have caught international attention for their works often playing out in the colourful landscape between fiction and fact. In the self-made genre expert theatre the scientific expertise is not what is sought, but ordinary people’s knowledge about own daily lives. With the theatre’s means of expression Rimini Protokoll brings unusual perspectives of our reality to light.
Supported by: German Federal Cultural Foundation, Pro Helvetia - Swiss Arts Council, The Department of the Mayor of Berlin - Senate Chancellery - Cultural Affairs.
Thanks to: Mohamed Sleiman, Sakina Abushi, Neuköllner Begegnungsstätte Berlin e.V., Doa Aly, Khaled Samy, Ahmed El Attar, Mourad Sadek, Heba Afifi.
Thanks to: Muslim Society Trondheim by Matri Abroud, Said Achekhlaf, Aymen Alokayli, Middelhavets Marked.
The performance is supported by the freedom of expression foundation Fritt Ord.
Name | Role |
---|---|
Ahmed Said | – Translation |
Ebtihal Shedid | – Translation |
Stefan Kaegi | – Concept/Idea |
Stefan Kaegi | – Direction |
Mahmoud Refat | – Music |
Laila Soliman | – Dramaturge |
Mohamed Shoukry | – Stage design |
Bruno Deville | – Video/Film |
Shady George Fakhry | – Video/Film |
Bodo Gottschalk | – Video/Film |
Mahmoud Refat | – Sound design |
Saad Samir Hassan | – Lighting design |
Sven Nichterlein | – Lighting design |
Hussein Gouda Hussein Bdawy | – Actor |
Mohamed Ali Mahomoud Farag | – Actor |
Sayed Abdellatif Mohoamed Hammad | – Actor |
Abdelmoty Abdelsamia Ali Hindawy | – Actor |
Mansour Abdelsalam Mansour Namous | – Actor |
Saad Samir Hassan | – Technical director |
Sven Nichterlein | – Technical director |
Dia’Deen Helmy Hamed | – Director’s assistant |
Lana Mustaqh | – Production manager |
Juliane Männel | – Production manager |
Katinka Vahle | – Production manager |
Ghada El-Sherbiny | – Other |
Mohamed Mostafa | – Other |
Samah Samir | – Other |
September 23, 2010 – Verkstedhallen, Svartlamon & Co | Show |
September 22, 2010 – Verkstedhallen, Svartlamon & Co | National premiere, Norway |
2008 | Worldwide premiere |