Melancholy

Melancholy (2005) was a theatre production by The National Theatre, based on Morten Cranner's radio theatre production Hertervig!, which in turn was based on the novel Melancholy by Jon Fosse. The production was performed in the theatre's venue Malersalen during the theatre festival for contemporary theatre in 2005.

Morten Cranner and Øystein Røger directed it.

Øystein Røger played the role of Lars Hertervig.

Information

(Objekt ID 40027)
Object type Production
Premiere April 29, 2005
Produced by The National Theatre
Based on Melancholy by Jon Fosse
Audience Adults
Language Norwegian
Keywords Musical theatre, Dream Play, Theatre
Running period April 29, 2005  
Website NATIONALTHEATRET ARKIV
More

SOURCES:

The National Theatre, forest.nationaltheatret.no, 05.06.2014, http://forest.nationaltheatret.no/Productions/Details/778dd70b-32ab-411b-b425-39e0e44040a9

Morten Cranner's private archive, donated by Morten Cranner, 20.05.2014.

Contributors (11)
Name Role
Jon Fosse – Author
Morten Cranner – Dramatised by
Morten Cranner – Direction
Øystein Røger – Direction
Morten Cranner – Music
Hege Randi Tørressen – Dramaturge
Sven Erga – Video/Film
Sven Erga – Sound design
Joakim Moe Røisland – Lighting design
Øystein Røger – Actor (Lars Hertevig)
Morten Cranner – Performer
Festivals (1)
The Contemporary Stage Festival September 10, 2005
Press coverage

Elisabeth Leinslie, Melancholia (literally: Melancholy), Norsk Shakespeare- og teatertidsskrift issue no. 2 2005:
"The performance about the visual artist Lars Hertervig, one of Norway's greatest and most original Romantics, is a removal from the biographic. The work is rather a poetic interpretation of what took place inside of Hertervig's head the day he slid into psychosis. A form of inner and outer monologue, in which the effects convey Hertervig's perspectives on and experiences of his surroundings. This is dominated by darkness and illusions. [...] Rarely, theatre let us experience this form of extreme central perspective. Normally, the protagonist's universe is conveyed through text (here: monologue) and realistic acting. When the acting is to such a degree replaced by this kind of audiovisual composition, the spectator is taken directly into the protagonist's head. The work practically sucks us into a fascinating journey into Hertervig's mental spaces, the way they look and sound a few hours of his life."