Title File type Publiseringsdato Download
Festival program for The Theatre Festival in Kongsvinger 1993 pdf March 1993 Download

Litt parfymert virkelighet* (Some perfumed reality)

Litt parfymert virkelighet* (Some perfumed reality) (1992) was a production by Klomadu Theatre.

Litt parfymert virkelighet is described as a poetry cabaret for two women. The text was found in the book Kvindelig dannelse (literally: Female cultivation) from 1831, but also in a varied selection of weekly magazines and commercials, in addition to female poets.

Information

(Objekt ID 27036)
Object type Production
Premiere October 30, 1992
Produced by Klomadu Theatre
Based on Kvindelig dannelse - en gave for unge piker by Therese Hubert; A Doll's House by Henrik Ibsen
Audience Adults
Language Norwegian
Keywords Cabaret, Theatre, Poetry event
Running period October 30, 1992  
Website Kulturproduksjon.no
More

Sources:

E-mail from Karen Høie/Kulturproduksjoner, 03.01.2012

Kulturproduksjoner, www.kulturprod.no, 07.03.2012,

http://www.kulturprod.no/index.php/tidligere-forestillinger/klomadu/25-litt-parfymert-virkelighet-klomadu-199

*Not yet translated into English. The title within parentheses is the Norwegian title's literal meaning.

Contributors (17)
Name Role
Inger Hagerup – Author
Therese Hubert – Author
Henrik Ibsen – Author
Marie Takvam – Author
Halldis Moren Vesaas – Author
Nina Engelund – Text
Svein Gundersen (teater) – Text
Karen Høie – Script
Svein Gundersen (teater) – Direction
Bjørg Mathiesen – Choreography
Jarl Åsvik – Music
Svein Gundersen (teater) – Stage design
Ola Jevnaker – Costume design
Nina Engelund – Actor
Karen Høie – Actor
Bård Løvvik – Photo
Karen Høie – Producer
Performance dates
March 26, 1993 19:00 – Rådhusets Festsal, The Theatre Festival in Kongsvinger Show
October 30, 1992 Worldwide premiere
Festivals (1)
Press coverage

Bodvar Lotsberg, date unknown, Hamar Dagblad [Hamar]:
"This is written by women and performed by women, but the play should and ought to reach both genders. The direct aspect of the female text and female language fascinates and baffles a male spectator. Not for a moment did the play fall into the trap of using clichés or worn-out material from the battle between the sexes of the 1970es. This is most likely because of the texts' contemporaneity and intellectuality. The actresses, Karen Høie and Nina Engelund, shared the success with director and stage designer Svein Gundersen, costume responsible Ola Jevnaker, dance teacher Bjørg Mathisen, program maker Joana Coja and the tango creator Jarl Åsvik."