üBUNG
Information
(Objekt ID 25306)| Object type | Production |
| Premiere | 2003 |
| Produced by | DE BANK/Victoria |
| In collaboration with | Performing Arts Network (of Norway) |
| Language | English |
| Keywords | Theatre |
| Running period | 2003 |
Requirements to venue
| Blackout | No |
Contributors (29)
| Name | Role |
|---|---|
| Josse De Pauw | – Text |
| Monique Nagielkopf | – Translation (Fransk) |
| Wendy Van Den Borre | – Translation (Engelsk) |
| Josse De Pauw | – Concept/Idea |
| Koen Gisen | – Concept/Idea |
| Josse De Pauw | – Direction |
| George van Dam | – Composition |
| Ruben Impens | – Video/Film |
| Kurt Verleure | – Sound design |
| George van Dam | – Sound design |
| Robbie Boi | – Sound (video) |
| Eddie Latine | – Sound (scene) |
| Philippe Digneffe | – Light (scene) |
| Basiel Bogaerts | – Actor (Ivo) |
| Romy Bollion | – Actor (Ria) |
| Louise Carpentier | – Actor (Rolanda) |
| Dimitri Dauwens | – Actor (Olivier) |
| Josse De Pauw | – Actor (Robert (på video)) |
| Stefaan De Rijcke | – Actor (György) |
| Lies Pauwels | – Actor (Ria (på video)) |
| Dirk Roofthooft | – Actor (Ivo (på video)) |
| Jasper Sturtewagen | – Actor (Robert) |
| Bernard Van Eeghem | – Actor (Olivier (på video) ) |
| Carly Wijs | – Actor (Rolanda (på video)) |
| George van Dam | – Actor (György (på video)) |
| Koen Gisen | – Director’s assistant (video) |
| Katrin Verlende | – Director’s assistant (scene) |
| Piet Depoortere | – Technician (video) |
| Kurt Verleure | – Technician (video) |
Performance dates
| March 8, 2003 – BIT Teatergarasjen | Show |
| March 7, 2003 – BIT Teatergarasjen | National premiere, Norway |
| 2003 | Worldwide premiere |
Press coverage
“The result is a piece that says little about childhood, but uncomfortable amounts about the lies, evasions and posing of adulthood, and our inability to express our real feelings unless we have a drink in our hand…Watching, I think of my own small daughter dressed up in my high heels, chattering cheerfully away as she plays "mummies and daddies", and I feel chilled by the spectre of adult disillusionment that awaits her. It seems that somewhere in the passage from childhood to adulthood, practice makes very imperfect indeed.”
Lyn Gardner, The Guardian