De tarvelige - og en gammel dame* (The Contemptible - and an Old Lady)

Petrusjka Teater has in the production De tarvelige - og en gammel dame* (The Contemptible - and an Old Lady) explored the contemptible, detestable and ugly in the aesthetic and ethical. De tarvelige - og en gammel dame was inspired by Bertolt Brecht’s short story The Unseemly Old Lady and Kaurismäki’s movies from the shadowed sides of life. This is puppetry for double bass and 12 puppets.

*Not yet translated into English. The title within parentheses is the Norwegian title's literal meaning.

Information

(Objekt ID 1806)
Object type Production
Premiere Navember 10, 2004
Produced by Petrusjka Teater
Audience Youth, Adults
Language Norwegian
Keywords Puppetry, Musical theatre
Running period Navember 10, 2004  

Requirements to venue

Blackout Yes
More

In the production De tarvelige - og en gammel dame (literally: The Contemptible - and an Old Lady) Petrusjka Teater questions what we usually accept as classy, ladylike and appropriate. For who is really worthy of our contempt in this story? The old lady, who after a long and subdued life with a husband and many children becomes widowed and enters warm relationships with somewhat inappropriate people? Or the controllers around her? Tatjana Zaitzow celebrates 25 years as the director of Petrusjka Teater with De tarvelige - og en gammel dame.

Contributors (13)
Name Role
Aksel-Otto Bull – Script
Tatjana Zaitzow – Script
Tatjana Zaitzow – Concept/Idea
Aksel-Otto Bull – Direction
Michael Francis Duch – Music
Tatjana Zaitzow – Stage design
Tatjana Zaitzow – Puppet designer
Michael Francis Duch – Sound design
Sune Schjelderup – Lighting design
Michael Francis Duch – Performer
Tatjana Zaitzow – Puppeteer
Michael Francis Duch – Musician (Kontrabass)
Tatjana Zaitzow – Puppet maker
Festivals (1)
Press coverage

"T.Zaitzow surpasses herself in creating an environment and characters."

Martin Nordvik, Adresseavisen

"The puppets are more human than it’s possible to make a real live actor, with facial mimicry and a body language bringing you directly into the illusion, keeping you there."

Amund Gimstad, Klassekampen

"Great puppetry about the outcasts"

Aftenposten