Ophelias: Death by water singing

Ophelias: Death by water singing by composer Henrik Hellstenius and librettist Cecilie Løveid was produced by Opera West (now The New Opera) in 2005. In the opera action was conveyed through dreamlike images and symbolic moods in an obscure time frame. The scenes encircled Ophelia’s frame of mind and fate: Ophelia the young woman who is used and dumped by Hamlet, and is so devastated that she drowns herself.

Ophelias: Death by water singing produced by Opera West (now The New Opera) was supported by the Norwegian Ministry of Foreign Affairs/MFA (travel grant/performing arts).

Source:

Program The New Opera 2009-10, 27.01.2011, www.nyop.no/publish_files/program_til_web.pdf?PHPSESSID... -

Information

(Objekt ID 10896)
Object type Production
Premiere September 23, 2005
Produced by Bergen National Opera
Based on Ophelias: Death by water singing by Cecilie Løveid, Henrik Hellstenius
Audience Adults
Language English
Keywords Opera
Running period September 23, 2005  
Website Den Nye Opera

Requirements to venue

Blackout No
Contributors (12)
Name Role
Cecilie Løveid – Libretto
Jon Tombre – Direction
Henrik Hellstenius – Composer
Wojciech Michniewski – Conductor
Yngvar Julin – Stage design
Yngvar Julin – Costume design
Tora Augestad – Singer (Gertrude)
Line Carlsson – Singer (Woodmaidens)
Elisabeth Holmertz – Singer (Ophelia)
Urban Malmberg – Singer (Hamlet)
Ebba Rydh – Singer (Woodmaidens)
Janna Vettergren – Singer (Woodmaidens)
Performance dates
December 13, 2009Młynarski Hall, Grand Theatre in Warsaw Show
December 12, 2009Młynarski Hall, Grand Theatre in Warsaw Show
December 11, 2009Młynarski Hall, Grand Theatre in Warsaw Show
September 23, 2005 Worldwide premiere
Press coverage

"Set to tunes by Henrik Hellstenius this becomes a continuation of the female descriptions of expressionism, with Lulu by Alban Berg as a milestone. There is a lot of chaos in text and music, but eventually destines step forth, determinedly helped by stage design and by Jon Tombre, whose direction is as much choreography. In the middle of the accidents onstage and the dissolution of Ophelia, touchingly interpreted by Elisabeth Holmertz, there is a poetic beauty in the loaded moods. The human description is open, ambiguous and thought-provoking".

Baden, Torkil (2005). Norwegian Broadcasting Corporation