Fiddler on the Roof
Fiddler on the Roof was a musical theatre production by Agder Theatre, produced in 2010 and based on the musical by Joseph Stein (book), Jerry Bock (music) and Sheldon Harnick (lyrics), in turn based on the short story collection by Sholem Aleichem.
Bjørn Sæter directed it.
Erik Wenberg Jacobsen interpreted the role of Tevye.
Trine Wenberg Svensen played Golde.
Information
(Objekt ID 38523)| Object type | Production |
| Premiere | February 25, 2010 |
| Produced by | Kilden Theatre |
| In collaboration with | Kristiansand Symphony Orchestra, Opera Sør |
| Based on | Fiddler on the Roof by Sheldon Harnick, Joseph Stein, Jerry Bock |
| Audience | Adults |
| Language | Norwegian |
| Keywords | Musical |
| Running period | February 25, 2010 |
| Website | KILDEN |
SOURCES:
Agder Theatre, kilden.no, 03.03.2014,http://kilden.com/tidligere-forestillinger
Marit Synnøve Berg's private archive, donated by Marit Synnøve Berg, 28.01.2014
| Name | Role |
|---|---|
| Joseph Stein | – Playwright |
| Sheldon Harnick | – Text (Sangtekster) |
| Bjørn Sæter | – Adapted by |
| Svein Sturla Hungnes | – Translation |
| Bjørn Sæter | – Direction |
| Hasse Johansson | – Choreography |
| Per Elias Drabløs | – Musical direction (Kapellmester) |
| Per Christian Revholt | – Musical direction |
| Jerry Bock | – Music |
| Per Olav Austdahl | – Stage design |
| Trude Bergh | – Costume design |
| Martin Myrvold | – Lighting design |
| Marit Synnøve Berg | – Actor (Fruma-Sarah/ Rifka) |
| Marit Synnøve Berg | – Actor (Fruma - Sarah / Rifka) |
| Samuel Brandt | – Actor (Sasha / ensemble) |
| Andrè Danielsen | – Actor (Sasha / ensemble) |
| Daniel Dystebakken | – Actor (Ensemble) |
| Ole Geir Feste | – Actor (Mordcha / ensemble) |
| Ann Ingrid Fuglestveit-Mortensen | – Actor (Tzeitel /ensemble) |
| Sebastian Grüchot | – Actor (Spellemannen) |
| Tor Ivar Hagen | – Actor (Mendel / ensemble) |
| Geir Høie Ludvigsen | – Actor (Nachum / ensemble) |
| Erik Wenberg Jacobsen | – Actor (Tevye) |
| Ingrid Klem | – Actor (Shprintze) |
| Hanne Korsbrekke Askeland | – Actor (Chava / ensemble) |
| Kristian Larsen | – Actor (Ensemble) |
| Anne Kine Lien | – Actor (Hodel / ensemble) |
| Jørn Morstad | – Actor (Rabi / ensemble) |
| Preben Moseid | – Actor (Yussel / ensemble) |
| Richard Olsen | – Actor (Fyedka / ensemble) |
| Silje Rom Hafnor | – Actor (Shprintze) |
| Tor Sigbjørnsen | – Actor (Lazar Wolf / ensemble) |
| Morten Svartveit | – Actor (Perchik / ensemble) |
| Trine Wenberg Svensen | – Actor (Golde) |
| Ståle Kvarme Tørring | – Actor (Motel Kamzoil / ensemble) |
| Anne Ma Usterud | – Actor (Yente / Bestemor Tzeitel) |
| Line Marie Østerhus | – Actor (Bielke) |
| Ingrid Aarsland | – Actor (Bielke) |
| Nils Tore Brunvatne | – Musician (trombone) |
| Tore Bråthen | – Musician (trompet) |
| Per Elias Drabløs | – Musician (bass) |
| Anne Randi Haugejorden | – Musician (fløyte / piccolo) |
| Ingolf Haaland | – Musician (keyboard) |
| Lars Lunde | – Musician (2.fiolin) |
| Elisabeth Mørland Nesset | – Musician (trommer / perkusjon) |
| Stig Nordhagen | – Musician (klarinett / basklarinett) |
| Pål Svendsberget | – Musician (1. fiolin) |
| Håvard Svendsrud | – Musician (akkordeon) |
| Ingrid Wangsvik | – Musician (klarinett / basklarinett) |
| Mari Marte Waaler Wærvågen | – Musician (cello) |
| Ingolf Haaland | – Répétiteur |
| Jill Tonje Holter | – Mask design |
| February 25, 2010 – Hovedscenen i Gamle Kristiansand Teater | Opening night |
Lillian Bikset, Dagbladet, Spellemann med tak i (literally: Fiddler with a grip), 26.02.2010:
"Tevye cannot rule his daughters. But Erik Wenberg Jacobsen can rule the show. His Tevye is the power centre of the production: A coherent, credible person who sees it all and takes it all, but who can also shout and rage. He is presented as a good-humoured everyday philosopher, who meets God and people with the same pragmatic attitude: I am who I am, you are who you are, let us try to get along. This openness - we can very well call it humanist sense - runs through Jacobsen's interpretation of the role, in an immediate emotional presence making us like and sympathise with him from the start until the end. It is also with him in interaction with his fellow actors, who meet him with familiar warmth."