| Title | File type | Publiseringsdato | Download |
|---|---|---|---|
| Anmeldelse i Klassekampen av Janne Kjellberg av Oslo Internasjonale Teaterfestival 1990 | September 3, 1990 | Download |
When we dead awaken
When we dead awaken (1990) was a theatre production by Rogaland Theatre, based on the play by Henrik Ibsen.
Kai Johnsen directed it.
Information
(Objekt ID 31463)| Object type | Production |
| Premiere | April 28, 1990 |
| Produced by | Rogaland Theatre |
| Based on | When we dead awaken by Henrik Ibsen |
| Audience | Adults |
| Number of events | 26 |
| Language | Norwegian |
| Keywords | Theatre, Drama |
| Running period | April 28, 1990 |
Sources:
De norske teatres forening: På norske scener. Sesongen 1989/90. Book published by the publisher Boksenteret as. Oslo 1990.
Elsa Kvamme's private archive, donated by Elsa Kvamme. 03.11.2008
| Name | Role |
|---|---|
| Henrik Ibsen | – Playwright |
| Kai Johnsen | – Direction |
| Kai Johnsen | – Dramaturge |
| Kari Gravklev | – Stage design |
| Kari Gravklev | – Costume design |
| Kai Johnsen | – Lighting design |
| Reid Rossnes | – Lighting design |
| Mette Arnstad | – Actor (Irene) |
| Ketil Egge | – Actor (Arnold Rubek) |
| Eindride Eidsvold | – Actor (Godseier Ulfheim) |
| Anneke von der Lippe | – Actor (Maja Rubek) |
| September 2, 1990 14:00 – Lille scene (Vika), Black Box teater (Oslo Internasjonale Teaterfestival) | Show |
| September 2, 1990 18:00 – Lille scene (Vika), Black Box teater (Oslo Internasjonale Teaterfestival) | Show |
| September 1, 1990 14:00 – Lille scene (Vika), Black Box teater (Oslo Internasjonale Teaterfestival) | Show |
| April 28, 1990 – Hovedscenen, Rogaland Teater | Opening night |
| Oslo Internasjonale Teaterfestival | September 1, 1990 |
Steinar Wiik, Viktig teaterfestival (literally: Important theatre festival), 03.09.1990, Aftenposten [Oslo]:
"This is one of the simplest and purest Ibsen productions I have ever seen - the stage design was limited to four chairs and a very refined use of lighting. [...] At one and the same time the performance was ascetic and passionate. [...] A strong and very well coordinated ensemble penetrated here Ibsen's most peculiar in a radical new way - very different from how Baktruppen did it in its surreal paraphrase over the same drama."