turning into saints

In turning into saints by Grith Ea Jensen and Susanne Irene Fjørtoft the following question is posed: Can the conjuring of religious myths take the light of day?

In the intersection between life and death, hope and suffering, release and loss, a theatrical journey reinterpreting the historical lives of the holy in a modern landscape is opened. Past and presence are staged through a selection from the one act cycle The Saint Plays by Erik Ehn.

turning into saints is the reinterpretation of three legendary saints' stories: St. Barbara, who was decapitated by her father, Virgin Mary, who got pregnant without sinning and St. Eulalia, who was tortured with her hair on fire.

The above is placed in a landscape generating contemporary connotations through cultural references in different patterns, in which puppetry, physical/visual theatre and text-based audio theatre dance the waltz.

turning into saints provides three meetings with a saint, a pattern and a prayer.

The trinity culminates in a song, and the spectator is invited to project himself/herself into the saints' meta-historical riot in the intersection between empathy and faith.

Information

(Objekt ID 16772)
Object type Production
Premiere October 19, 2011
Produced by Grith Ea Jensen, Susanne Irene Fjørtoft
Coproducers BIT Teatergarasjen, Black Box Teater
Based on The Saint Plays by Erik Ehn
Audience Adults, Youth
Language English
Keywords Theatre, Dance, Puppetry, Physical theatre, Trash Theatre, Multidisciplinary, Tableau, Song, Post-dramatic theatre, Music, Concert, Dream Play, Dance theatre
Running period October 19, 2011  
Duration 90 minutes
Website turning into saints - Facebook

Requirements to venue

Blackout Yes
More

The production turning into saints by Grith Ea Jensen and Susanne Irene Fjørtoft presents four pieces from The Saint Plays. These are the one-act plays Radio Elephant, Tree of Hope and Pain, ending with a recorded song version of the poem Song for the End.

RADIO ELEPHANT

When Barbara was a little girl, she was locked into a high tower by her mean father. So she lived in her tower. And she was very kind and beautiful. One day a priest went past the tower. He sang about Jesus. And Barbara heard. "I love Jesus too", she called, "I am a Christian".

When her father heard, he got furious. At the time it was against the law to love Jesus or be a Christian. "She is no longer my daughter", he yelled. "Hit her until she almost dies. Then decapitate her."

The soldiers obeyed the terrible order. But angels suddenly came to bring Barbara's soul to heaven. By the way, her mean father decapitated her himself, and he was struck to earth by violent lighting, dying. Or Barbara managed to flee. Or she was murdered before she got her period, and her head started growing. And then she became a saint for all those who work with explosives.

I heard it on the radio.

TREE OF HOPE, KEEP FIRM

Human has been sinful ever since Adam and Eve ate the forbidden fruit and sin is transferred through generations through the way we are conceived and born. Intercourse in itself isn't sinful, but the lust felt during intercourse is. It is hard to complete intercourse without feeling lust, and thus it is impossible to imagine that anyone can be created without leading sin on. Jesus was conceived without sin.

Virgin Mary wasn't with a man, but got pregnant through the word of God. Humans have several bodily orifices, and word comes through the ear. Mary is without sin and the only one who could give birth without pain and without losing her virginity.

The moment when Virgin Mary understood she was pregnant is called the Annunciation. The church's presentation of Mary has had great significance for many - not least for women.

PAIN

Ever since Eulalia was born she had an admirable disposition, showing great love, devotion and humility. She had an honest wish to live a Christian divine life on earth.

When she was twelve years old there was given an order that everyone had to sacrifice to the heathen gods of the kingdom. Eulalia was opposed to it and was filled with the wish to become a martyr. She ran away from home and began battling the judges. Eulalia was taken capture, but if she sacrificed some salt and incense, she would be saved from torture. Eulalia refused. She was tortured terribly, with iron hooks attached to her breast, and the meat of her body was ripped from the skeleton. Next she was burned with torches and died when her hair caught fire, immolated by smoke and flames. From her mouth came a white dove, ascending towards the sky, and a family lost their daughter in the snow.

Santa Eulalia prays for all those who wish to oppose the governing powers.

SONG FOR THE END

"One night you argue until you’re tired and you
Open the door and three birds fly away
As if they were speaking secrets about you
It’s night and three birds fly away

And you hope the gossips understand your secrets
Birds flash red throats and thread through the sky
Where have you been that birds speak your secrets?
Will they understand later and elsewhere in the sky?
And this will never happen again

The birds have flown with your secrets to heaven
Where will you go where have you been?
And this will never happen again
Your reason is bird gossip

And the three birds have all flown
And the gossip breaks down to metered prayer
And the birds have become unreasonable angels
Singing back all you’ve ever known

And you stand at the door and watch
The night birds fly away with your secrets
And you turn back to the kitchen table with
New love in your heart

And you take your lover’s hands
And you have no secrets
You are understood elsewhere you have no reason for reasons
The birds have told your secrets as light to the heavens

And this will never happen again
And this will never happen again
And this will never happen again
And this will never happen again
The end"

The production turning into saints by Grith Ea Jensen and Susanne Irene Fjørtoft is supported by Arts Council Norway, the municipality of Bergen, The Fund for Performing Artists and Moving Art.

Source:

Black Box Teater Oslo, blackbox.no, 19.10.2011, http://www.blackbox.no/content/titlePresentation.php?tid=2101

Contributors (17)
Name Role
Erik Ehn – Co-creator
Lisa Eikrann – Co-creator
Birgitte Erikson – Co-creator
Susanne Irene Fjørtoft – Co-creator
Karl Flyman – Co-creator
Claudio Forlini – Co-creator
Audun Skau Hansen – Co-creator
Christina Henriksen – Co-creator
Stine Janvin Motland – Co-creator
Grith Ea Jensen – Co-creator
Karina Nielsen – Co-creator
Kate Pendry – Co-creator
Ingrid Rusten – Co-creator
Javier Tvihaug – Co-creator
Øystein S. Johansen – Actor
Susanne Irene Fjørtoft – Project manager
Grith Ea Jensen – Project manager
Performance dates
October 27, 2011 18:00 – Studio USF, USF Verftet Show
October 26, 2011 18:00 – Studio USF, USF Verftet Show
October 23, 2011Lille scene (Marstrandgata), Black box teater Show
October 22, 2011Lille scene (Marstrandgata), Black box teater Show
October 21, 2011Lille scene (Marstrandgata), Black box teater Show
October 20, 2011Lille scene (Marstrandgata), Black box teater Show
October 19, 2011 21:00 – Lille scene (Marstrandgata), Black box teater Worldwide premiere
Festivals (1)
METEOR October 26, 2011