Reconstructions

Reconstructions by NONcompany is an absurd black comedy about warped realities. This time, NONcompany has created a performance inspired by cinematic techniques. With seven actors on 400 000 tiny chrome marbles, the six parallel stories are told, about people that do their best to adapt to their own realities.

Information

(Objekt ID 110)
Object type Production
Premiere February 18, 2010
Produced by NONCompany
Coproducers BIT Teatergarasjen, Black Box Teater
Audience Adults
Language Norwegian
Keywords Theatre, Comedy
Running period February 18, 2010  
Duration 2 hours
Website NONcompany

Requirements to venue

Minimum stage width 10m
Minimum stage depth 8m
Minimum stage height 5m
Lights requirements 36 dimmer channels
Audio requirements Good PA, surround
Blackout Yes
Rigging time 1 minutes
Downrigging time 180 minutes
Audience 250
More

RECONSTRUCTIONS

"We follow the stories of six people in a small city that is large enough to have a modern art gallery, but small enough for you to run into people you know when you least expect it.

A controversial artist opens a disputed exhibition, the mailman is asked in for coffee by a lady who is a little too inviting, and a hypochondriac nurse spies on the girl next door. An installer at an art gallery receive dubious advice from his three good helpers, the girl with too many names fights mortal agony, and rejection makes the alter ego of a young man very eager. When these peoples stories are intertwined, a wide range of peculiar situations and complications arise, scrutinizing how people adapt reality to suit their own needs."

Reconstructions is an absurd black comedy about warped realities.This time around, NONcompany has explored and experimented with adaptation of filmic devices to the stage. The script is written in a multi-protagonist mosaic structure, as a film script. The layering of narrative voices makes up a complex story where connections can be found on several levels. The acting is close to the level of realism one has grown accustomed to see in cinema and dramaturgically, the company have been working with its own particular method of cutting between the scenes.

Visual devices, music and other elements are also pervaded by this concept. This has provided the performance with a unique form that creates a distinct universe for the narrative of the play. Critics have commented on the elegant execution of the play, saying that it works incredibly well (scenekunst.no and Bergens Tidende).

The performance was co-produced by BIT Teatergarasjen and Black Box Theatre and premiered in Bergen in February 2010.

Reconstructions is supported by the Norwegian Arts Council, The Municipality of Bergen, Fond for Lyd og Bilde and Fond for Utøvende Kunstnere.

Source: NONcompany 2010. 10.08.2010: http://noncompany.no/reconstructions.htm

Contributors (20)
Name Role
Lise Risom Olsen – Script
Lise Risom Olsen – Direction
Håvard Pedersen – Music
Lena Lundsten Buchacz – Stage design
Lena Lundsten Buchacz – Costume
Håvard Pedersen – Sound design
Hans Jaran Skogen – Lighting design
Espen Alknes – Actor (Thomas (i Bergen) / Little Dag)
Cathrine Frost Andersen – Actor (SHE / Kleopatra)
Mats Eldøen – Actor
Charlotte Grundt – Actor (Sara)
Jo Adrian Haavind – Actor (Markus / The Marlboro Man (i Bergen))
Emil Johnsen – Actor (Thomas (i Oslo) / The Marlboro Man (i Oslo))
Veslemøy Mørkrid – Actor (Beatrice)
David Skaufjord – Actor (Stefan)
Pål Gjertsen Steinsvik – Actor (Fredrik / The Marlboro Man)
Lena Lundsten Buchacz – Props
Marte Rognerud – Photo
Rebekka Mueller – Lighting technician
Tone Iren Myklatun – Producer
Other participants

Film crew:
Actors in TV-show scene: Trond Fausa Aurvaag and Charlotte Grundt Crew:
Magnus Flaato – camera
Rune Baggerud – sound
Lise Vestby – editing

Performance dates
May 5, 2011Provisoriet, Rådstua Teaterhus Show
October 17, 2010Store scene Black Box Teater (Marstrandgata) Show
October 16, 2010Store scene Black Box Teater (Marstrandgata) Show
October 15, 2010Store scene Black Box Teater (Marstrandgata) Show
October 14, 2010Store scene Black Box Teater (Marstrandgata) Show
October 13, 2010Store scene Black Box Teater (Marstrandgata) Show
February 21, 2010Studio USF, USF Verftet Show
February 20, 2010Studio USF, USF Verftet Show
February 19, 2010Studio USF, USF Verftet Show
February 18, 2010Studio USF, USF Verftet Worldwide premiere
Press coverage

-Bergens Tidene 19.12.2010-

PRESICE AND ENTERTAINING: Magnificent script plus stellar actors equals very good theatre.

“Reconstructions” is very much unlike anything I have seen on a stage previously; nevertheless, both characters and narrative is imbued with a cinematic feeling, resembling many movies at once, ... the filmic devices work incredibly well, also on stage. ... Nevertheless, what really makes this a special theatrical performance is the desire to convey something more. ... Impressive on all accounts. -CHARLOTTE MYRBRÅTEN

Bergens Tidende http://noncompany.no/Reconstructions-BTreview.htm

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Scenekunst.no 21.02.2010

HEART AND INTELLECT HAND IN HAND

"Reconstructions is performed on an unsteady foundation. A massive enclosure filled with small chrome marbles: a special order from a ball bearing factory in Germany. This is a work of art in itself, fascinatingly detailed and attractively tactile,"

"The characters we encounter are brimming with charm, and are able to win over the audience from the very beginning. One ought perhaps not call them characters, as they quickly stop being just that. Their acting is unlike anything I’ve previously seen; the way the actors relate to their lines and their body language is so playful that I quickly lose hold of the theatre context and drift into the world that is being created on stage. ... Combined with a masterly script that could outshine many an established movie millionaire, Reconstructions is a supreme show of technique and creative enthusiasm, in which heart and intellect go hand in hand." - Karoline Skuseth

Source: scenekunst.no http://noncompany.no/Reconstructions-SKreview.htm