Spoken word/body

Canadian Martin Bélanger's production Spoken word/body can be described as a hybrid performance in which threads of seemingly oppositional elements are weaved together into what he calls a single piece of fabric, which is neither just dance, only theatre nor a happening. The play is all this at the same time.

Information

(Objekt ID 9625)
Object type Production
Premiere October 12, 2004
Language English and French
Keywords Contemporary dance, Dance, Theatre
Duration Approximately 60 minutes

Requirements to venue

Blackout No
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The body in the works of Martin Bélanger is not just an instrument for communication. The presence of the body in itself has a significant meaning in the work of the choreographer.

The production Spoken word/body also is a tribute to the spoken word, the storytelling and capturing of the audience’s attention with few effects. Sound technician Jean-Sebastian Durocher and Martin Bélanger grabs this attention and become storytellers of two languages, the body’s and the words’.

Canadian Martin Bélanger has been examining dance since 1992. He has a bachelor degree in dance from the University in Quebec and experience as an actor in theatre and movie productions, among other things.

Martin Bélanger says the following about Spoken word/body:

"This show may be viewed as a poeticised document on the body-consciousness relationship and on potential developments the future may hold for the body. Here, the narrator's body may serve as a source of visual support to give expression to these developments. The dual, dichotomous function of narrator and moving body-subject seemed rich and amusing to me. Inevitably, the theme also reveals some of my personal concerns.

It is important to me, through the moments of shared intimacy a show brings, to universalise the identity and history of the person who steps forward; this gives viewers something to identify with in their own lives. This is a tribute to the spoken word, to the act of telling stories and sharing one's life with the help of very little. Finally, it is a means of expressing my fascination with what psychoanalyst-essayist Julia Kristeva so aptly dubs 'this heterogeneous combination that is the speaking organism.'"

Source:

BIT Teatergarasjen, Oktoberdans 2004. 24.11.2010: http://www.bit-teatergarasjen.no -arkiv

Contributors (11)
Name Role
Martin Bélanger – Text
David Kilburn – Translation
Martin Bélanger – Direction
Jean-Sébastien Durocher – Sound design
Jean Jauvin – Lighting design
Martin Bélanger – Performer
Jean-Sébastien Durocher – Performer
Claudia Fancello – Voiceover
David Kilburn – Voiceover
Marie-Andrée Gougeon – Consultant
Martin Bélanger – Main producer
Performance dates
October 13, 2004 18:00 – Studio USF, USF Verftet Show
October 12, 2004 18:00 – Studio USF, USF Verftet National premiere, Norway
Festivals (1)
Oktoberdans October 12, 2004