Title File type Publiseringsdato Download
Season program catalog Black Box Theater the autumn of 2010. pdf August 2010 Download

The Exception and the Rule

The Exception and the Rule (2010) was a musical theatre production by Fabula Rasa, based on Bertolt Brecht's text, in German called Die Ausnahme und die Regel, and newly composed music by Bjørn Bolstad Skjelbred. It was performed using the Norwegian title Unntak og regel.

Marius Kolbenstvedt directed it.

The performance opened with performing the learning play, for then to enter directly into an open conversation with selected expert guests.

Information

(Objekt ID 7007)
Object type Production
Premiere Navember 24, 2010
Produced by Fabula Rasa
Coproducers Black Box Teater
Based on The Exception and the Rule by Bertolt Brecht
Audience Adults, Youth
Number of events 5
Language Norwegian
Keywords Theatre, Apprentice play, Musical theatre, Conversation(s), Documentary
Running period Navember 24, 2010  —  Navember 28, 2010
Website Fabula Rasa: Unntak og Regel

Requirements to venue

Blackout Yes
More

The thematic foundation for the performance The Exception and the Rule by Fabula Rasa is oil enterprise. Fabula Rasa writes in the program magazine of Black Box Teater about the Deepwater Horizon oil spill disaster in the Gulf of Mexico in 2010, about the Norwegian oil drilling industry in a historic and societal perspective and about the Norwegian offshore diver union going to court against the Norwegian government after searching for oil in the Northern Sea. According to the program, Brecht’s text The Exception and the Rule can be used to highlight all these issues.

Fabula Rasa also refers to three newer non-fiction works about the Oil Nation of Norway. The three have been the main inspiration for the work. The books are Fever by Gudmund Skjeldal and Unni Berge, Til siste dråpe* (To the last drop) by Helge Ryggvik and Petromania* (Petromania, a constructed word of Petroleum and mania) by Simen Sætre.

In the program of Black Box Teater, Fabula Rasa has chosen to describe its different angles to the production. The whole text can be read (in Norwegian only) here.

In this production, Fabula Rasa works with documentary material, using the text of Bertolt Brecht to illuminate the issues. To emphasise the contemporary relevance of the production the company chooses to continue the performance with the abovementioned open conversation.

The project was supported by spenn.no, Arts Council Norway, The Audio Visual Fund and The Fund for Performing Artists.

SOURCE:

Fabula Rasa - Scenekunst for barn og unge, http://www.fabularasa.no/, 06.10.2010, http://www.fabularasa.no/teater/no/forestillinger/unntak-regel-brecht/

*Not yet translated into the English. The title within parentheses is the Norwegian title's literal meaning.

Contributors (20)
Name Role
Bertolt Brecht – Playwright
Emil Burri – Text
Elisabeth Hauptmann – Text
Georg Johannesen – Translation
Marius Kolbenstvedt – Direction
Nina Ossavy – Direction (Co-regissør)
Bjørn Bolstad Skjelbred – Composition (Musikk av Paul Dessau i ny komposisjon )
Bjørn Bolstad Skjelbred – Music
Alexander Olai Korsnes – Video/Film
Ingar Hunskaar – Sound
Svein Inge Neergård – Light
Tine Asmundsen – Performer
Thomas Hildebrand – Performer
Kjell Olav Jørgensen – Performer
Runhild Olsen – Performer
Nina Ossavy – Performer
Stian Torstenson – Performer
Jan Warloe – Performer (Videoaktør)
Live Maria Roggen – Song Instruction
Per Amund Riseng – Consultant
Performance dates
Navember 28, 2010Lille scene (Marstrandgata), Black box teater Show
Navember 27, 2010Lille scene (Marstrandgata), Black box teater Show
Navember 26, 2010Lille scene (Marstrandgata), Black box teater Show
Navember 25, 2010Lille scene (Marstrandgata), Black box teater Show
Navember 24, 2010Lille scene (Marstrandgata), Black box teater Worldwide premiere
Press coverage

Larsen, IdaLou (02.12.2010). Review titled Brecht og Nordsjødykkerne (literally: Brecht and the divers in the North Sea). IdaLou Larsen, idalou.no, 08.12.2010, http://www.idalou.no/pub/idalou/kritikker/?aid=1468:

"But Brecht demands much from the actors who are to interpret him, and Fabula Rasa's ensemble doesn't quite meet the expectations. They do their very best and attempt to perform their roles with distance as well as rapport. But the result is limping, and the text often drowns in too expressive physical theatre – as in the eternally long scene in which the guide flogs the kuli. The music is freshly composed by Bjørn Bolstad Skjelbred, and often brings thoughts to the typically rough sounds of Paul Dessau. But the actors aren’t able to pay justice to the text and tunes."