I is another

Rimbaud in Africa

I is another - Rimbaud in Africa (2017) is a theatre production by The Theatre of Cruelty. I is another - Rimbaud in Africa is inspired by the life and work of the poet Arthur Rimbaud (1848-1891), and Lars Øyno has written the text for the performance. The production had its world premiere at The Theatre of Cruelty.

Lars Øyno also directed the production.

Information

(Objekt ID 69295)
Object type Production
Premiere January 26, 2017
Produced by The Theatre of Cruelty
Audience Adults
Keywords Theatre
Running period January 26, 2017  
Website GRUSOMHETENS TEATER
More

At the webpage of The Theatre of Cruelty the following, among other things, is written about I is another:

"I is another - Rimbaud in Africa, had its world premiere at The Theatre of Cruelty January 26 2017. The production was written and directed by the artistic director of the company, Lars Øyno. 

This is the story of how a grand poet left his artistry to become a merchant in a different continent.

Rimbaud in Africa questions the role art plays in society. What did Rimbaud find in selling coffee and arms, that he couldn't get in poetry? Can a potential response to this mean anything to us, now?"

SOURCES:

The Theatre of Cruelty, grusomhetensteater.no, 06.01.2017, http://www.grusomhetensteater.no/

The Theatre of Cruelty, grusomhetensteater.no, 13.09.2017, http://www.grusomhetensteater.no/portfolio_page/i-is-another-rimbaud-i-afrika/

The Theatre of Cruelty, press release 14.12.2016

Contributors (19)
Name Role
Lars Øyno – Script
Lars Øyno – Direction
Lars Tore Pedersen – Music
Thomas Sanne – Stage design
Lars Øyno – Stage design
Jan Skomakerstuen – Light
Henriette Blakstad – Actor
Kristiane Nerdrum Bøgwald – Actor
Hanne Dieserud – Actor
Miguel Emilio Dobrodenka Steinsland – Actor
Jade Francis Haj – Actor
Kirsti Sørlie Hansen – Actor
Live Marianne Noven – Actor
Gaute Askild Næsheim – Actor
Varun Krishnan – Musician
Trude Sneve – Mask design
Johanna Øyno – Director’s assistant
Gjøril Bjercke Sæther – Costume assistant
Brendan McCall – Producer
Performance dates
January 25, 2020  (International Theatre Festival of Kerala) Show
January 24, 2020  (International Theatre Festival of Kerala) Show
February 2019  (Fadjr International Theater Festival) Show
January 2018Bedales Theater Show
September 2017Theatre Xcai Show
February 11, 2017The Venue of The Theatre of Cruelty Show
February 10, 2017The Venue of The Theatre of Cruelty Show
February 9, 2017The Venue of The Theatre of Cruelty Show
February 8, 2017The Venue of The Theatre of Cruelty Show
February 7, 2017The Venue of The Theatre of Cruelty Show
February 4, 2017The Venue of The Theatre of Cruelty Show
February 3, 2017The Venue of The Theatre of Cruelty Show
February 2, 2017The Venue of The Theatre of Cruelty Show
February 1, 2017The Venue of The Theatre of Cruelty Show
January 31, 2017The Venue of The Theatre of Cruelty Show
January 28, 2017The Venue of The Theatre of Cruelty Show
January 27, 2017The Venue of The Theatre of Cruelty Show
January 26, 2017The Venue of The Theatre of Cruelty Worldwide premiere
Press coverage

Lillian Bikset, Kunstnerisk refleksjon om å velge vekk kunsten for utferdstrangen (literally: To dispense with art for the urge to travel), Dagbladet January 31 2017:

"He, or they, it is rather hard to say if there is only one Rimbaud in I is another, finds himself in Africa, in Ethiopia and Somalia. From the start the performers are presented with faces, arms, hands or feet made up in brown. Not in the way of blackface, not with the aim to make the colour of skin comical, the tone is closer to the colour of earth, and the performers make no fuss about it, but it is still far enough from their own hues to think about it, and enough for the next related thought to follow: Couldn't they find actors whose skin are darker by nature?

Then again, I is... isn't meant realistically, wither. As The Theatre of Cruelty's expression demands, it is a symbolically laden, associative and often dwelling enlargement of gestures and movement patterns. The theatre form addresses the instinctive in the spectator, the individual, immediate and not necessarily verbally phrased reaction."