Bust da Breakz
Bust Da Breakz breaks the notion of context and takes a leap into the time when hip hop was born; the postmodern society. The performance recreates the big city's broken, twirling, flickering and spectacular reality.
Information
(Objekt ID 575)| Object type | Production |
| Audience | (from 6) |
| Keywords | Dance, Performance |
Requirements to venue
| Minimum stage width | 6m |
| Maximum stage width | 8m |
| Minimum stage depth | 5m |
| Maximum stage depth | 6m |
| Minimum stage height | 2m |
| Blackout | No |
| Audience | 300 |
The ambition is to use hip hop as an opening for the audience into a meta reality where feelings are expressed physically, where the social interaction is manifested and becomes tangible. THe performance is a tribute to the multifaceted dance culture that began in LA and New York ghettos in the 70s. A motion of the individual body, a motion through time and a cultural movement that has been immensly important to young people all over our world - the vulnerable, the initiated and the afflicted. A motion that leaves a moved audience.
| Name | Role |
|---|---|
| Kim Bøytler | – Choreography |
| Karsten Mathiesen | – Choreography |
| Claes Gullberg | – Lighting design |
| Christian Tselios | – Actor |
| Matt Baricaua | – Dancer |
| Kim Bøytler | – Dancer |
| Martin Jensen | – Dancer |
| Karsten Mathiesen | – Dancer |
| Adam Stefanski | – Dancer |
| Mohammed Sweilem | – Dancer |
| Claes Gullberg | – Technician |
| Matt Baricaua | – Other |
| Claes Gullberg | – Other |
| Mohammed Sweilem | – Other |