Jimmy Young

Jimmy Young (2007) was a theatre documentary by De Utvalgte. The character of Jimmy Young was created by actor Torbjørn Davidsen and video artist Joachim Hamou during three days of work.

With Hamou behind the camera and Davidsen in the role of Jimmy, they embarked on a reverse educational journey which came to last for ten years. Equipped with fake press cards the journey went via the Film Festival in Cannes to the spiritual leader of the Sufis in Egypt, to beggars and rich men in New York, to shipwrecked Inuits and derelict soldiers in Greenland. Assisted by a movie camera and a microphone Jimmy became a draw for young and old people who, eager to expose themselves, threw themselves into his story.

Information

(Objekt ID 3908)
Object type Production
Premiere January 24, 2007
Produced by De Utvalgte
Coproducers Black Box Teater
Audience Adults
Language Norwegian and English
Keywords Theatre, Multidisciplinary, Post-dramatic theatre, Documentary, Movie, Video, Talk-show
Running period January 24, 2007  —  October 20, 2007
Duration 80 minutes
Website De Utvalgte

Requirements to venue

Blackout Yes
More

As Jimmy was moved from the screen to the stage the audience got to see the story of a thrill-seeker justifying his unscrupulous existence with a boundless artistic quest for his character’s authenticity. While in Jimmy’s shoes Torbjørn Davidsen has staged spectacular situations in his own life without considering the act’s consequences; when meeting anything uncomfortable he has always been able to travel on. Eventually his luck came to an end and the life before the camera began to make its demands.

Jimmy Young by De Utvalgte was a production in which the relationship between fact and fiction was challenged and the audience was confronted with its own sense of responsibility. Or should we say lack of responsibility?

De Utvalgte is an independent stage arts group which over the past twelve years has shown a distinct will to seek new expressions as well as new content in dramatic art. The group works with contemporary theatre and makes use of self-produced effects such as video, documentary material, text and music.

Prior to the performance, the concept of Jimmy Young had already resulted in two exhibitions (Copenhagen and Helsinki), a documentary film shown by Norwegian Broadcasting Corporation and previews of Jimmy´s first draft at the UKS biennial.

Verdensteatret directs thanks to: Joachim Hamou, Ulla-Bella, Salvatore, Kanaliserer Monica, Smed Sven Syversen, Ingrid Lysgaard, Vilde, Leo and Eirik, Inger and Stein Davidsen, Maya Liu Bøckman, Kine Sørbøe, Ann-Iren Ødeby, Rolleif Østrem, Marianne Bratteli, Barry Kavanagh, Are Larsen, Per Platou, miss Glans, Arnt Christian Teigen, NEC, Presentations Data, Videoutstyr Norge, Black Box Teater, and all who took part in the journey of Jimmy Young.

The production was supported by: Arts Council Norway, The Audio Visual Fund, SO and the municipality of Trondheim.

Sources:

BIT Teatergarasjen, autumn program 2007, 22.08.2010, http://www.bit-teatergarasjen.no -arkiv

Autumn program 2007, Avant Garden.

De Utvalgte, www.deutvalgte.no, 24.09.2021, https://www.deutvalgte.no/portfolio_page/jimmy-young/

Contributors (17)
Name Role
Kari Holtan – Direction
Anne Holtan – Dramaturge
Boya Bøckman – Stage design
Kari Holtan – Stage design
Boya Bøckman – Video/Film
John Birger Wormdahl – Sound design
Boya Bøckman – Lighting design
Torbjørn Davidsen – Actor
Jørgen Langhelle – Actor
Randi Rommetveit – Actor
Torbjørn Davidsen – Musician
Kari Holtan – Musician
John Birger Wormdahl – Musician
Boya Bøckman – Technician
Anne Holtan – Producer
Joachim Hamou – Consultant (visuell konsulent)
Marius Kolbenstvedt – Consultant (Regikonsulent)
Festivals (2)
METEOR October 19, 2007
Stamsund Teaterfestival June 2, 2007
Press coverage

Anette Therese Pettersen, 02.02.2007, Omvendt dannelse (literally: Reversed cultivation), Kunstkritikk.no, 18.11.2010, http://www.kunstkritikk.no/kritikk/omvendt-dannelse/
"In meeting with a production such as Jimmy Young we are confronted with our own irresponsibility. We wish to see something true, something real, while we are not totally in the mood to let go of the security following the fiction. Jimmy Young challenges the spectator's relationship to fiction and reality as much as it challenges the actor's relationship to the same. We have to choose between our hunger for the authentic, for real-life, and our safe little corner in the outer limits of fiction. I am still a bit unsure which parts of the performance I choose to believe are fictional, and which I will have to relate to as non-fiction, precisely because this has consequences for my own moral consciousness."