Moon for the Misbegotten
Moon for the Misbegotten was a theatre production produced by Rogaland Theatre in 2004, based on the play by Eugene O'Neill.
Anne-Karen Hytten directed it.
Information
(Objekt ID 31982)Object type | Production |
Premiere | September 3, 2004 |
Produced by | Rogaland Theatre |
Based on | A Moon for the Misbegotten by Eugene O'Neill |
Audience | Adults |
Language | Norwegian |
Keywords | Drama, Theatre |
Running period | September 3, 2004 |
Duration | 2 hours, 10 minutes, including an interval |
Moon for the Misbegotten by Rogaland Theatre got one Hedda nomination: Nina Ellen Ødegård was nominated for The Hedda Award 2005 in the particularly excellent performance category for the role of Josie.
Sources:
Stavanger Aftenblad on the production, www.aftenbladet.no, 18.10.2012, http://www.aftenbladet.no/nyheter/lokalt/Av-maneskinn-gror-ingenting-2793089.html
Sceneweb on The Hedda Award 2005, www.sceneweb.no, 17.10.2012, http://www.sceneweb.no/en/awarding/23849/The_Hedda_Award_2005-2005
Name | Role |
---|---|
Eugene O'Neill | – Playwright |
Kjell Askildsen | – Translation |
Anne-Karen Hytten | – Direction |
Christine Lohre | – Stage design |
Christine Lohre | – Costume design |
Haakon Espeland | – Lighting design |
Torbjørn Eriksen | – Actor (T. Stedman Harder) |
Ole Christoffer Ertvaag | – Actor (Mike Hogan, Josies bror) |
Espen Hana | – Actor (James Tyrone jr.) |
Cato Skimten Storengen | – Actor (T. Stedman Harder) |
Kalle Øby | – Actor (Phil Hogan, Josies far) |
Nina Ellen Ødegård | – Actor (Josie Hogan) |
Svein Frøystein | – Props |
Wenche Solgård Andresen | – Props |
Håvard Knoph | – Stage manager |
Annerut Joner | – Prompter |
September 3, 2004 – Intimscenen, Rogaland Teater, Rogaland Theatre | Opening night |
"Nina Ellen Ødegård is very good in the role of Josie. She balances the rough and the vulnerable, the cynical and the naïve – and seems to be a person who despite isolation and broken dreams never loses faith in the cleansing, resurrecting powers of love. (...) Her face is modelled in changing emotions – and she has an organic, vulnerable acting style which really moves. I understand perfectly well why director Anne-Karen Hytten chose Nina Ellen Ødegård for this fundament of a role."