| Title | File type | Publiseringsdato | Download |
|---|---|---|---|
| Program for Modus ensembles produksjon Subject of Icons | 2001 | Download |
Subject of Icons
Subject of Icons by tg.performance.ritual is a crossover project created in the Paulus church in Oslo as a meeting point for Gregorian song, improvised and newly composed organ music, percussion in dialogue with text, video and dance in the room. Tone Gellein was artistic leader and project director.
Subject of Icons by tg.performance.ritual was made in 2001 in the Paulus Church in Oslo and it was also performed in the Gamlebyen Church during the middle age music festival Olsok Middelaldermusikkfestival in July 2002. The latter was presented in processed form and adapted to the architecture in the church room, under the title of Urban Medieval.
Sources:
The Norwegian Association of Performing Arts/NAPA, 20.12.2010, http://www.danseogteatersentrum.no/sck/members.shtml?lang=nor&sam=&cat=&gen=&cou=&cri=tg%20performance%20ritual%20&aid=113&prid=1&act=prod
tg performance ritual, 20.12.2010, http://www.tonegellein.com/index.php?/project/archives/
| Name | Role |
|---|---|
| Tone Gellein | – Text |
| Tone Gellein | – Concept/Idea |
| Hege Gabrielsen | – Direction |
| Tone Gellein | – Direction |
| Norman Douglas | – Choreography |
| Tone Gellein | – Choreography |
| Gro Siri Johansen | – Music |
| Luis Landa-Schreitt | – Music (perkusjon) |
| Wolfgang Plagge | – Music |
| Tone Myskja | – Video/Film |
| Tone Gellein | – Dancer |
| Gro Siri Johansen | – Performer |
| Luis Landa-Schreitt | – Performer |
| Loutchia Nigohossian | – Performer |
| Sandrah Silvio | – Performer |
| Wolfgang Plagge | – Musician (orgel) |
| Gro Siri Johansen | – Singer |
| Loutchia Nigohossian | – Singer |
| Sandrah Silvio | – Singer |
| 2001 | Worldwide premiere |
"Gellein has provided something new to the concert expression, increasing gradually throughout the past few years, by initiating this collaboration. In a crossover between urban contemporary, movements from sacred/ritual dances and postmodern examinations the way of Meg Stuart."
Toril Braathen