B.A.D
B.A.D (1996) was a theatre production by De Utvalgte.B.A.Dwas based on Rainer Werner Fassbinder's play Garbage, the city and death (in Norwegian: Byen, avfallet og døden, shortened B.A.D).
Information
(Objekt ID 17688)| Object type | Production |
| Premiere | October 1996 |
| Produced by | De Utvalgte |
| Based on | Garbage, the city and death by Rainer Werner Fassbinder |
| Audience | Adults |
| Number of events | 7 |
| Language | Norwegian |
| Keywords | Theatre |
| Running period | October 1996 — 1996 |
| Website | De Utvalgte, |
Requirements to venue
| Blackout | No |
B.A.D by De Utvalgte was performed seven times in October 1996 in the club Stratos in the building Folkeoperabygningen.
De Utvalgte wants to thank the municipality of Oslo.
Source:
De Utvalgte, deutvalgte.no, 12.09.2011, http://www.deutvalgte.no/bad/BADsiden.html / 24.09.2021, https://www.deutvalgte.no/portfolio_page/bad/
| Name | Role |
|---|---|
| Joachim Hamou | – Direction |
| Peter Sebastian Szilvay | – Music |
| Bård Torgersen | – Music |
| John Birger Wormdahl | – Sound |
| Boya Bøckman | – Light |
| Vivi Andersen | – Actor |
| Ulla Marie Broch | – Actor |
| Torbjørn Davidsen | – Actor |
| Fredrik Hannestad | – Actor |
| Charlotte S. Hoel | – Actor |
| Kari Holtan | – Actor |
| Per-Kristian Johnsen | – Actor |
| Marius Kolbenstvedt | – Actor |
| Pekka Kraus | – Actor |
| Are Larsen | – Actor |
| Martin Lundberg | – Actor |
| Randi Rommetveit | – Actor |
| Petter Sammerud | – Actor |
| Oskar Skulstad | – Actor |
| Harald Fetveit | – Props |
| Espen Græsdal | – Producer |
| October 1996 – Stratos | Opening night |
Peter Serck, Farlig Fassbinder (Dangerous Fassbinder), 18.10.1996, Morgenbladet [Oslo]:
"I choose to relate to this play and the performance of it as an ambiguous image of a far gone state of illness in the metropolis. [...] ...several places one can sense Brecht traditions, with the difference that there is no lecturing here at all. It may even be difficult to glimpse any direction at all in the play. That is why I choose to regard it as fundamentally chaotic - chaos is the real subject of this play."
Inger-Margrethe Lunde, date unknown, Klassekampen [Oslo]:
"It tended at times towards the amateur-like copying in acting style. [...] That is the uncomfortable. And we just barely get in touch with it. It should be much to expect from a half-professional company such as De Utvalgte."