Suzannah

Suzannah by Cinnober Teater (Sweden), text by Jon Fosse, music by Atli Ingólfsson. With The Gothenburg Chamber Soloists Cinnober Teater gave a theatrical/musical form to Jon Fosse’s so-called monologue for three actresses about Suzannah Ibsen, the wife of Henrik Ibsen.

Information

(Objekt ID 9810)
Object type Production
Premiere October 14, 2006
Produced by Cinnober Teater
In collaboration with
Based on Suzannah by Jon Fosse
Audience Adults
Number of events 17
Language Swedish
Keywords Musical theatre, Music, Theatre
Running period December 5, 2005  —  Navember 25, 2006
Website Cinnober Teater

Requirements to venue

Blackout Yes
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Suzannah by Jon Fosse was written as a play in which three voices merge. Suzannah Ibsen steps forward as three characters; as a young woman in love and filled with expectations, as a mother and wife keeping the family together when her husband Henrik Ibsen experiences artistic progress and as an elderly, mourning woman after her husband’s death. Fosse’s text got its worldwide premiere as a TV drama made by NRK Drama in 2004.

In the version by Cinnober Teater the relationship between textual theatre and art music was explored and the result was a musical dramatic work bordering sound art. The freshly composed music by Atli Ingólfsson could be described as playful and virtuoso in a manner reminiscent of Jon Fosse’s rhythmic and repetitive writing style.

Jon Fosse’s text Suzannah is about time, memories and absence. We meet a woman who is incessantly waiting for her husband, a man she is deeply bound to and live for, but whose physical absence requires her full attention. At the same time Suzannah reflects that she has been the one to create the great playwright – by disciplining him and as inspiration for his female portraits.

The visiting performance in Oslo was part of the Ultima Oslo Contemporary Music Festival, and it was supported by Arts Council Norway, Swedish Arts Council, the Ibsen Year 2006, The Norden Association’s Swedish-Norwegian collaboration fund and Nordic Culture Fund.

Source: Vallat, Marianne Dyrnes, Tom Klev og Kristian Selthun (2006). Black Box Teater Oslo. Høsten 2006. Black Box Teater Oslo [Oslo], 10-11

Performance dates
Navember 25, 2006Atalante Show
October 20, 2006Main Stage, The National Theatre of Iceland Show
October 19, 2006Main Stage, The National Theatre of Iceland Show
October 15, 2006Store scene Black Box Teater (Marstrandgata) Show
October 14, 2006Store scene Black Box Teater (Marstrandgata) National premiere, Norway
December 5, 2005Atalante Opening night
Festivals (1)
Ultima October 14, 2006
Press coverage

"Playful and yet strictly virtuoso, at the same time hyper-intellectual and hypnotically sensual as if one was lulled into a poem. (...) Ingólfsson’s music is easy to be enchanted by. It flows richly and without dogma, perfect for the ambitious of Gothenburg Chamber Soloists, between innovative and traditional."

Sven Rånlund, GöteborgsPosten December 7 2005

"It is really not destiny that catches my attention but the diverse interpretation of the memory’s movement between a secure chain of continuity to a broken perception of reality in which the pieces of the puzzle have become disordered and are moved around, sometimes with afterthought, sometimes without plan. A lightly dizzying feeling arise."

Marita Adamsson, Bohusläningen December 8 2005