| Title | File type | Publiseringsdato | Download |
|---|---|---|---|
| Sesongprogram BIT Teatergarasjen høst 1992. | August 1992 | Download |
Socìetas Raffaello Sanzio
Socìetas Raffaello Sanzio is a theatre collective and the most radical exponent for "nuevo teatro" (new theatre) in Italy.
At Sceneweb you can find an overview of the productions by Socìetas Raffaello Sanzio which has been played in Norway.
Information
(Objekt ID 3288)| Object type | Organization |
| Organization type | Artist company |
| Main focus | Theatre, Multidisciplinary art |
| Established | 1981 (closed 2006) |
| Website | Societas Raffaello Sanzio, ARCH |
Contact information
| Address | Cesena, Italy |
Other information
| Legal entity | Other |
Romeo Castellucci was born and raised in Cesena, Italy. After studying agriculture in his home town Castellucci travelled to the art academy in Bologna, where he was educated within stage design and painting. His theatre debut took place as early as 1980 and in 1981 he established the company Socìetas Raffaello Sanzio with Claudia Castellucci and Chiara Guidi.
Socìetas Raffaello Sanzio is the most radical exponent of the Italian "nuovo teatro" (literally: new theatre). Castellucci considers the theatre to be an art expression with potential to connect all art forms and genres, at its best touching all the senses of the audience. Castellucci and his company enjoy much respect all over the world.
Through Romeo Castellucci: artist presentation and conversation BIT gave its audience a chance to get to know a theatre artist who has moved and captured the interest of theatre audiences since the early 1990es.
The event was part of a longer series presenting artists, whose contributions and efforts have been determining for the artistic platform and orientation of BIT Teatergarasjen.
Source: BIT Teatergarasjen, spring program 2011. 04.04.2011: http://www.bit-teatergarasjen.no/article/384
| Title | Premiere |
|---|---|
| Tragedia Endogonidia | – May 22, 2003 |
| Masoch. The triumphs of theatre as a passive, guilty and hidden power | – June 3, 1993 |
| Masoch. The triumphs of theatre as a passive, guilty and hidden power | – 1993 |
| Hamlet. The vehement exteriority of a mollusc’s death | – October 4, 1992 |
| Hamlet. The vehement exteriority of a mollusc’s death | – 1992 |
| Title | Premiere |
|---|---|
| Sleep Technique | – Navember 1, 2017 – Dewey Dell |
| Scott Gibbons | – Composer |
| Gilda Biasini | – Producer |
| Cosetta Nicolini | – Producer |
| Elisa Bruno | – Other |
| Michela Medri | – Other |
| Giacomo Gorini | – Technician |
| Luciano Trebbi | – Technician |
| Sergio Scarlatella | – Technician |
| Romeo Castellucci | – Artistic director (fra 1981) |
| Claudia Castellucci | – Artistic director (fra 1981) |
| Chiara Guidi | – Composer (fra 1981) |